Tuesday, January 3, 2012

In Memoriam: Adesagi Kierana (1977-2012)


I had barely survived the fantastic and yet exhausting New Year morning that Sunday afternoon when my cellphone rang and my dear friend, Soko Wiyanto informed me the news about the passing of Adesagi Kierana. At first I debated it, with hopes that it might have been just some hoax and that it was actually a re-occuring news about his mother who also just passed away not so long ago.


But a few minutes later, a tweet from Era Soekamto confirmed the most heartbreaking news for Indonesian Fashion World, Adesagi Kierana had passed away at 5pm in Bandung, West Java. With him was one of the owners of the Upper East boutique Randy Yan.


The celebration of the New Year had officially ended, and instead it turned into the gloomiest day in Indonesian Fashion.


Adesagi Kierana was only 34 years old when he passed away. It wasn't long ago that I witnessed him and Barli Asmara being inaugurated as members of IPMI (Indonesian Council of Fashion Designers) which is a very prestigious-by-invitation-only organization of designers, all which were many years his seniors (list includes Biyan, Sebastian Gunawan, Adrian Gan, etc.) , he was the youngest member. His greatness and talent was being appreciated and recognized by his much more senior peers.


He was one of the greats, I remembered him suddenly appeared out of obscurity when he was included as one of the big talents in the Fashion First store. His works in contrast of many of his peers focus a lot on colors and puffy silhouette, pointing out the glamorous side and the big bold personality of a woman. He gained more and more respect in the fashion world for being different and have something to say in the industry where everything looks the same everyday.


One of my favorite collection of his was the one he did for Fashion Nation in 2009, when he did a collection based on Cindy Lauper's personality, and true to her 'True Color' he exploded the volume and colors in a way that was surprisingly editorial and yet absolutely wearable at the same time.


His follow up collection didn't disappoint as well. Looking back at the Jakarta Fashion Week in 2010 when he did a collection titled "In Love With You Again" when I saw his take on volume and couture. He reminded me of Christian Lacroix for his daring, bold, and out there design. In terms of runway he never shy away from being bold, theatrical and experimental. His textiles are absolutely adorable and always very luxurious.


The last show of his that I witnessed was "Almost Famous" collection during the IPMI Trend Show, where not only I witnessed his greatness, I witnessed how loved he is amongst his friends and peers. It was probably one of the most star studded show, Titi DJ and Ruth Sahanaya made an appearance on the runway, likewise were all the celebrities and socialites and all the important people who showered him with flowers after the finale.


Adesagi Kierana, was also an amazing example on how perseverance and hard work would really get you very far. From what I know about him, he started with a very small workshop, and moved his way up to being one of the biggest fashion designer in Indonesian Fashion today. A lot of people see where he is right now, though some few will never forget where he started and how he built over his career.


Me and him never actually get to know each other more personally other than casual 'hello' when we happen to stumble each other on events or something, but judging by some how great his relationship is with a lot of his friends, I can say that he must have been one hell of a great friend to be around. It is one of my biggest regret not to get to know him much better.


Adesagi Kierana, you have left a big mark in Indonesian Fashion, we all love you and are very saddened by your passing. I have certainly been influenced by your work, and I'm pretty sure many others too. I hope that your legacy will live on, and that more and more will be inspired by your work.




Ps: I've been reading some really hateful comment about the news of his passing on the internet. Outraged is really how I felt when i read those. He is to be respected for his kindness as a human being and his greatness as a designer, and should never be condemned for any lifestyle choices that he made. After all his private life belong to him and should anyone dare to judge, he should be the one who's ashamed of himself.

Friday, November 25, 2011

DICHOTOMY - Jakarta Fashion Week 2012























The 2nd time I'm showing at the Jakarta Fashion Week under my own label, and this time , I was incredibly honored to be picked out of obscurity by Femina Group (Mr. Diaz Parsada), to represent a mega brand in celebrating the launch of their new product, NOKIA N9.

So the mood is different, the pressure is 4 times the usual. While I usually put out a collection and put my name under the line, this time it is also NOKIA, and the nice people from Femina Group who decided to pick me.

This is also my 1st wholesale/ready-to-wear collection (so all you buyers and business people interested, don't hesitate to call me), so the whole conceptual is under the bridge now, this is all about the clothes and the fact that it needed to be wearable, every single piece.

So hopefully you readers like the collection, feel free to contact me!


Credit:
Models: Tari, Nadya Purwoko, Vivi, Chika, Caroline, Brenda, Wita, Carissa, Lita Chan, Filantropi, Sarah Azka, Dhenok
Coreography: Wawan Soeharto
Shoes: WED's for Yosafat

Thursday, July 7, 2011

The 4 Designers

In my eyes there are 4 types of fashion designer: The Architect, The Romanticist, The Story Teller, and The Practical. Strange as it seems I can always categorize the designers in all 4 major fashion capital into these 4 categories, and they are amazing in their own way, and they're not always either or, they could also be both an architect and a romanticist, or a particularly romantically practical. But let me explain to you what I mean by these.

The Practical, also known as the sporty or the cool designers are the type of designers that you see their collections and they don't necessarily tell you a story or anything, but somehow you are drawn to buy their clothes. Their look is distinct, and generally singular enough that you can tell that a person is wearing their design. These kinds of designers mostly grow successful in New York City, where practicality is a very important thing in American fashion.

For example, on top of my head is Mr. Michael Kors. Coming to a Michael Kors fashion show, you don't expect a big creative extravaganza, you just see clothes that are desirable for rich women who loves fashion and yet don't want to wear 7 layers of corset just to look luxurious. It's true that New York is the perfect breeding place for these kinds of designers. From the old fashion type like Donna Karan to the younger generation like Thakoon and Prabal Gurung are the perfect example of the new generation of the Practical group.

Michael Kors - style.com

Distinct traits: Rarely does a garment consist of too many undergarment, never too fussy or difficult to wear, very modern and somewhat simple, in a collection the most part of it is the daywear.

The Romanticist, also known as the poet are the type of designers that makes you dream through their clothes. There's always a romantic flare to their collection that getting an item from their collection is like getting a companion that has a long story to it. Sometimes with this kind of designers, practicality is not the main component, and yet their clothes are generally very beautiful and dreamy. These kinds of designers love drama, but a controlled kind of drama.

These kinds of designers I love to watch the most. They put so much love and passion into their work, you can see the collection talk to you. Most of their works looks like Haute Couture pieces that are not only beautiful but also very precious and that is something that you can pass on from generation to generation.

Vera Wang is one of our lovely romanticists that has a success story. There's something about her work, the way she always treats he clothes and how she layers things like layering tulle over organza and it makes it look like clouds. They are not the most accessible of all clothes but they make you dream and that's the important thing. Giambattista Valli is one of my favorite romanticist, Olivier Theyskens' works also excites me season after season, while Jason Wu is our new protege in the fashion romanticist universe that also caught my attention. Alber Elbaz for Lanvin and Rick Owens are the kind of romanticists who keep their ideals and yet still very successful in the business.

Giambattista Valli - Style.com

Distinct traits: Volume-layers-corsetry-intricate undergarments are common in this type of designers, dramatic but still wearable, a lot of evening pieces generally.

On that note, there are several romanticist who are also happen to be a practical kind of designer as well! Dries Van Noten who is one of my favorites manages to combine poetry and romance with simplicity. His works are always very simple, but the way he uses prints and colors are somehow very poetic. Dolce & Gabbana could also be put in this category, they manages to be one of the most commercial brand in the business but never leave behind a great story or inspiration behind every collection.

The third kind is the Architect. The Architect respects techniques more than results. The simplest look could be achieved with the most difficult ways possible. But because of that perfectionist nature of their aesthetic they are the most appreciated. An Architect must know how to construct a design from scrap. They most of the time knows how to not only design but also cut and sew. As important as the theme, inspiration and story line for them, the work that goes behind it is still the most important.

Architecture and construction is also a main focus of these kinds of designers. Their designs are mostly focusing on the cuts. Embellishments are added to accentuate the cuts rather than as a main focus of the outfit itself.

Of course the first and the greatest of the fashion architects is Cristobal Balenciaga. Famous as being the only couturier in his time who can make a garment from sketching to finishing all by himself, and wouldn't mind cutting a dress himself if he doesn't see it being perfect. Luckily his successor Nicholas Ghesquiere shares the same idealism. In the 80s we also know the late Gianfranco Ferre and Giorgio Armani, and while now Francisco Costa of Calvin Klein and Raf Simmons for Jil Sander could be pointed out as the modern fashion architects.

Balenciaga - Style.com

Distinct traits: the looks are generally very simple, intricate and complicated construction, embellishment are generally minimum and are used to accentuate the cut, they're not always the most colorful of most designers, perfect sewing and execution.

A romanticist architects happen to also exist nowadays. My most favorite is Ricardo Tisci of Givenchy, who combines his flare of drama with the incredible and impeccable techniques which made exceptional collections, especially the haute couture collections.

While a practical architects are also budding and getting very successful. Pheobe Philo for Celine has proved that you can be constructed and still very minimal and yet commercial at the same time.

The last one is the Story-Teller, mostly resides in Paris, though the newer generation emerges a lot London. A story teller designer lives a fantasy world with their collections. Not only they are brilliant designers, their collections took you to places, even some place that doesn't exist in real life.

Famous for being dramatic and over the top sometimes, their fashion shows are always the ones to watch. Though much of the sellable interpretation might be not as passionate or as dramatic as the runway version. They are not afraid of colors, prints, bold silhouette, and certainly not afraid to shock and be controversial, raising a lot of questions and somehow, sometimes, scares you.

Techniques are always complicated with these kinds of designers, but merely to support their concept and the story line of their collection.

For the most of it, these kinds of designers did not exist until the 90s. The earlier generation of these l'enfant terrible is Jean Paul Gaultier. He was famous for putting the underwear as outerwear, which was insanely controversial back in the days. John Galliano and Alexander McQueen were also true story-teller designers, their collections year after year didn't stop shocking people, in true fashion their lives are too dramatic as well. McQueen who ended up killing himself, and Galliano who tragically ended his own career at Dior with his racial slur.

Alexander McQueen-the Met Exhibition

Distinct traits: dramatic colors-silhouette-patterns, heavy on embellishments, always have a story line with each collection, see beauty on their own ways.

A story-teller architect designer that has been getting big and big lately is Gareth Pugh. Also a British, he's famous for being dramatic and punk-ish, but still manages to show his genius cut through each garments year after year after year.

So, what kind of designer do you like?

Thursday, May 26, 2011

DOMINATRIX - Thank You Note

This collection is titled "Dominatrix" which was inspired by the images that I found of a lady with a whip and a mask wearing a leather corset. I found the word dominatrix to be kind of unique, because it also contains the word "matrix" which because of the movie had a connotation of futurism, which is something that I'm very inspired by.

Just like last time, I used a lot of cutting technique to enhance the look of a simple silhouette. Fabrics are a bit different too this time. I want the collection to be darker than usual, hence the use of all black. But each fabric has a distinct texture to it, be it the patent leather that shines, or satin that's lustrous or just plain matte black fabric. The juxtapose of three different textures is to accentuate the intricate cut of the dresses.

The Erotica Architectura collection was all about rigid and construction, while maintaining the construction, I want to tap on a different feel by seeing the movement in the garment. Looking at the image which was the main inspiration, where the lady dominatrix is holding a leather whip, looking like a fringe, I was immediately inspired to use leather and cut them off in tiny little strips to be fringes, allowing the movement to be really fluid.

But how did I get to show in the JFFF you may ask? I should thank Mr. Ichwan Thoha who recommended me to the show production team (Mr. Wawan, who was also my choreographer for my last JFW show), to be included in the event. The event itself is called VISIONAIRE, featuring designers from both Indonesia and Malaysia. The list of designers include: Ian Adrian, Andy Saleh, Roy Mulyanto, Cindy Engkeng, Ichwan Thoha, Renalaksita, Lorenzo Peh, Ivan Gunawan, Erdan, Khalik Mustafa, Yoyo Prasetyo, Yudhistira, John Paris, Ina Thomas, and Lennor by Lenny Agustine.

I need to extend a big thank you to the organizers, Mr. Wawan Soeharto and team from W Management, and Mr. Marco from Posture Management. They are the amazing people that came up with the grande event! Looking at the list, I probably am the most inexperienced of all the designers, and because of that I extend my utmost gratitude to both of them for allowing me to stage my collections with them.

The show itself is one insane day! I, once again got great model line-up, and I get to work with the most stunning (if not the 1st) androgyny model in Jakarta, Darell Ferhostan of Edge Models. Thank you Darell for willing to make his debut on the runway with my collection! Also thank you Mr. Iwan Keplek for mixing the music, and again, like last year, Aleksander Ormandy suggested the songs to me. Ms. Sari Nila is our host of the evening, thank you for her fabulous job. Also to my fabulous line up of models: Helena, Vikan, Filla, Silvie, Bulan, Valentina, Caroline, Putu, Evie and Paula.

Accessories are graciously provided by my dear friend Julie Rochili, and shoes, just like last time were produced by Mr. Weda Agustino. Thank you guys both!

Special thanks to Mr. Malvin Hartwell for being a fantastic supporter, also all the friends and family who came and support the show. It really means a lot knowing that you were all there to support me.. Love you all, see you next time on the runway!

DOMINATRIX - Jakarta Fashion and Food Festival 2011


















YOSAFAT DWI KURNIAWAN
-ss2011-
"DOMINATRIX"
Presented at the Jakarta Fashion and Food Festival 2011
at the Harris Hotel Kelapa Gading

MUA: PAC by Martha Tilaar
Coreographer: Wawan Soeharto
Music Director: Iwan Keplek
Models: Darell, Helena, Filla, Silvie, Caroline, Evie, Putu, Vikan, Bulan, Valentina, Paula
Shoes: Wed's for Yosafat
Accessories: Julie Rochili Creations
Photos by: Ariyanto Tirtosudiro

Saturday, February 12, 2011

The Fashion Week (or Month)

The Fashion Weeks is probably the most exciting month of the year for a lot of fashionistas. Buyers from all around the world fly off to New York, then London, then Milan, the Paris to see the shows as well as editors and models. It doesn't hurt that every now and then socialites, celebrities and lately fashion bloggers join the gank of fashion traveler.

To call it a gank is not an overstatement, you bump into the same people again and again all day long all month. You sit next to each other in a show, most probably you will sit next to each other in a dinner party, and most likely to sit next to each other again on the plane. It's all so glamorous. With the additional bloggers publishing not only the shows but also the people attending the show, or model off duty looks, everyone is treated like a celebrity. Imagine an entire month of Oscar red carpet where people screaming out: "who are you wearing?!" like you're a celebrity.

The fashion crowd are the celebrity. Isn't it interesting that this past year we've come to know individuals like Bryanboy, Suzie Bubble, Tommy Ton, from the blogger gank (who used to be just another fashion adorer), and Anna Wintour, Giovanna Bataglia, Christiane Arp, or Anna Dello Russo who are now just as famous as their fellow front row-er from the celeb gank like Kirsten Dunst, Nicole Kidman or Kerry Washington who each have had their share of gracing the front row of some of the big designer shows.

In fact it didn't at all started that way. Far from the glitz and glam in 1947 in post World-War II New York City, a group of fashion publicists held what is called the Press Week at that time, to basically distract the media from the ever growing French fashion at that time. It was an instant success. Prominent magazines like Vogue began to feature American designers in their magazine. Milan, London and Paris followed soon after seeing the success of New York Press Week, and soon it became big. These 4 cities are the dominant fashion weeks in the world.

Looking at the success of the fashion weeks of these cities, other cities of the world began to create their own fashion weeks. Tokyo in Japan, Sao Paulo in Brazil, even other cities in US (like LA) and Italy (Rome) now have their own fashion weeks.

But what is a fashion week? Why such hooplah about it?

Well back then the only fashion shows held are the Haute Couture shows. The couturiers would held show basically everyday of the week for select clients who wanted to purchase a look from the collection. It was quiet, unlike these days. No grand music, no brilliant lighting, no photographers. The clients would then pick a look from the collection, and have a similar look tailor made for her. The first show of the season would be for the press and international buyers, the next shows are for customers. So it was more of an exclusive thing back then. Not highly covered, but in a way just the way it's supposed to be. Fashion shows were about fashion, and showing garments at their best.

Then because of the Press Week, the idea is made bigger as the industry got bigger as well. And the reason to just sum it up in a week is because then the buyers and editors can just focus on setting a trend, rather than just seeing one collection after another. And it's a much easier solution for a lot of designers who are new, fashion weeks can be an outlet to showcase their work to the bigger audience.

As the first city to do fashion week, New York got the first slot of the fashion month (they used to just randomly decide who goes first, until a rule is set). As the first one to launch the fashion month, New York is where you get the 'real' garments. New York designers are known to be the most commercial of them all. The New York style is easy, light and wearable, that's why they're often called sportswear.

New York is also where a lot of new talents rise. Young designers like Altuzarra, Jason Wu, Alexander Wang, and the Rodarte sisters are some of the many examples of the New York brands that was born in New York, big in New York and stayed in New York unlike it's London counterpart. The other big brands are also always so proud to be a part of the American fashion like Michael Kors, Vera Wang, Donna Karran and Carolina Herrera who apart from their origin are always proud to be a New York brand.

New York Fashion Week used to be centered in one tent located in the Bryant Park. But due to increasing number of shows and guests, they have moved it to a much bigger place in Lincoln Center resulting in a much more organized shows.

London comes next after New York. London is where some of the most talented people started. Big names like Alexander McQueen, Stella McCartney, John Galliano, Gareth Pugh and Christopher Kane all started in London. But unfortunately most of those names no longer show in London. McQueen, McCartney, Galliano and Pugh have all moved to Paris. And there's a tendency that when a designer got big in London, they will eventually move somewhere.

But despite all the moving, London is still a big fashion destination. And even though a lot of people seems to just skip it altogether, the new talents are always born in London. The latest addition to the London genius are knitwear master Mark Fast and print lady Mary Katranzou. But high hopes are looking up at London. Burberry an old London brand who showed in Milan Fashion Week for a long long time, is now back in London. And so are some of what used to be the fresh talent who have moved to other cities like Johnathan Saunders, Julien MacDonald and Pringle of Scotland who used to show in New York. With the return of these brands back in London, like it or not, the editors and buyers now must stop by in London before then moving on to Milan.

Milan Fashion Week started in 1958. Milan is famous for having some of the most luxurious brands in the world. Not only that, most of the brands that shows in Milan have a long heritage of brilliant design and outstanding quality. Brands like Bottega Veneta, Armani, Gucci, Versace, Prada are long associated with luxury, while others like Missoni, Moschino, Roberto Cavalli, Marni and Fendi are long associated with craft and heritage. And Milan is offically the fashion capital of Italy because those brands come from all over Italy, Gucci and Fendi are from Rome, Cavalli are from Florence, Dolce & Gabbana are from the Sicily.

But compared to Paris, London or New York, Milan is relatively a big fashion show cramped in a small city. It's been long that the editors, models, and designers complain that the schedule is way to messy and hectic. Also, Milan Fashion Week is not known to be friendly towards new designers. It's been a long time since the last time a 'new' designer have risen from Milan (I think the last time was Aquiliano Rimondi formerly known as 6267). So despite the importance of the Milan Fashion Week, freshness is never expected.

Paris Fashion Week closes the month the way a fashion capital should. Paris is a perfect balance of freshness (with increasing number of young designers, eg. McCartney, McQueen, etc.) and heritage (with hundreds of years old brands, eg. Lanvin, Louis Vuitton, Hermes, Dior, etc.). Paris is also the most international, hosting not only French brands but also Japanese (eg. Kenzo, Comme des Garcons, Yohji Yamamoto), Belgian (eg. Dries Van Noten, Ann Demeulemeester), or even British (eg. Stella McCartney), American (eg. Rick Owens), and Italian designers (eg. Giambattista Valli).

Paris Fashion week is also held with the most grandeur festivity. It's famous for having some of the biggest parties during the month. Celebrities are also flocked during Fashion Week. Still, after all these years, Paris have yet to loose it's 'Fashion Capital' title by mixing it up, allowing the foreign brands to show there and therefore making the week a lot more interesting.

Fashion Weeks are held bi-annually for Spring-Summer and Fall-Winter. The Fall-Winter shows usually starts in mid-February (usually starts in New York from 10-17 of Feb) and continues for 4 weeks straight all the way through Paris. The Spring-Summer shows starts in mid September. It's the most fast phased weeks in the fashion calendar. As soon as a show finishes, the next one starts, sometimes the venue is on the other side of the city, with the traffic and everything, sometimes it's running late, causing the next show to start late, and the next one late too. It's basically insanity in 4 weeks.

On the day the fashion weeks starts, the models, editors, buyers, make-up artists and hair dressers arrived in New York. Models scrams off to countless castings and fittings, while the editors hop from one show to another, one re-see to another. The buyers also need to make sure within that show and re-see on what should get into the store. The make-up artists and hair dressers also hop from one show to another going basically the same thing over and over again for 4 weeks straight.

This is also the busiest day for the designers as well. A series of castings, and fittings are done in a mere day (or 2 at the maximum) on a 40 something looks that are about to come down the runway, and basically be judged in an instance. With the advanced technology, twitter and blogger, the review are faster than ever. So you can imagine the pressure that is on the designers, especially those doing more than 1 shows (like Marc Jacobs with Marc Jacobs, Marc by Marc and Louis Vuitton, or Karl Lagerfeld with Fendi, Chanel and Karl Lagerfeld).

The end of the show doesn't mean that their business stops, there's this thing called the re-see, which is an opportunity for the editors and buyers to take a closer look on the garments they just showed. I call it the judgment time, where the designer need to face the people who will have a big influence of their sales for the next 6 months.

The minute the last show of New York Fashion week ended, all the models, editors, bloggers, make up artists, and hair dressers go to the airport and fly off to London (usually even at the same flight!). So you see why it's one big gank. The next day is the beginning of London Fashion Week and the same cycle continues. So I think you can imagine how exhausted these people must have felt.

But then they started to grow kind of like a big group of cool people traveling together, working together, and be feared by a lot of people. I mean, that ought to be fun, no?

There are extra fashion weeks in Paris and Milan. In Milan and Paris, about a month before the regular fashion show, there's the Menswear fashion week that move on from Milan to Paris. Once the menswear week ended, Paris have an extra fashion week for Haute Couture which lasted only 3 days, and ended only about 2 weeks before the start of New York Fashion Week.

I'm not involved in this fashion circus (I call it a circus 'cause of all the big group travelling) but I couldn't help but getting excited when the weeks started. New York Fashion Week just started, and it's going to be a big shift of trend going on from one city to the other.

To be honest, back then it was nicer. I had to wait a few weeks to read the reviews and be able to see the complete collection. I remember how excited I was to read Koleksiana, the fashion week report yearly in Dewi Magazine. Now it's in to the minute, even live report and live streaming. There's almost no exclusivity anymore, no room for mistakes. I could imagine it's more exhausted now more than ever.

But still my eyes are towards New York at the moment, spotting what could possibly the biggest trend of the year 2011 to 2012.

Saturday, January 8, 2011

Spring 2011 Top 10 Collections

1. Jil Sander
A tribute to color, probably is supposed to be a theme for this collection. Or perhaps a return to true minimalism? Whatever it is, Raf Simmons' Spring collection for Jil Sander exceeds my expectations. It's minimal, in a way that we can almost say it's couture. Combining a T-shirt with an almost couture skirt, with the fit that is just sheer genius, also the way he tailors layers and layers of coats in a way that it was structured but also soft at the same time. And this is perhaps the first time we get colors from him, and it's almost like
the spring just hit you in the face.


2. Prada
Miuccia Prada's take on minimalism with a twist somehow makes one of the most interesting show this season for me. Her boldness to just put minimalism in an almost harsh colors, daring silhouette, and sort of comical print is just outstanding. And the fact the the collection is so cohesive while we're seeing so many different things going down the runway is almost sophisticated and yet modern. Truly one of the greatest moments for Prada.

3. Jason Wu
One of the young generation of designers in New York, Jason Wu impressed me this season. Not only that he chose to do lady like while every one else in New York city is going 70s glamor or 90s minimalism, but also because he chose to show women how to look proper all over again. The collection have pieces that would work right away, and dresses that are super chic and that we can see being instantly worn by Hollywood stars.

4. Givenchy
It was probably the most thought provoking collection in Paris. Starting from the way it was presented, down to Ricardo Tisci's decision to use Lea T. a transgender model to walk the runway. But despite all the drama, this is one of the daring collection. We can see every essential trends of 2011 (except for colors) like animal prints, see trhough cothes, and striking pair of pants. In a nutshell, though it was daring and bold, there's still a string commercial appeal in the collection.

5. Lanvin
I think there is no question about Alber Elbaz's world fashion domination through his lead at Lanvin. After proofing that he could also do commercial hit with his collaboration with H&M, he did yet another amazing collection. I can't recall any women seeing this collection that didn't go, "that's stunning" or "I want that" which you can't really always say about a collection designed by a male designer. The collection itself is like always, feminine but strong and confident, just like a Lanvin woman.

6. Alexander McQueen
Sarah Burton's first womenswear collection after the passing of the late Alexander McQueen is nothing but short of anticipation, and thank God, she didn't disappoint. It matches the theatricality of McQueen himself, it was comparable to McQueen's intricate detailing which was one of his signature, and it was definitely bringing the same structural quality that McQueen is synonymous for. But being a female designer, it was somehow more gentle, and soft, and feminine, which was sometimes what's lacking in McQueen's works. So bravo Sarah for continuing McQueen's legacy without loosing her signature in the process.

7. Rick Owens
It's always fun to see a different point of view from a fashion "outsider" almost. Watching a Rick Owens show is like watching a tribe of women from some other side of the world that is untouchable from normal people, if not alien. This time in particular, I get the sense that this collection is more wearable than usual, also softer and prettier without loosing the strength. Which is why this collection in particular is one of my favorites, there's a sense of evolution that I like about his work.

8. Dries Van Noten
As a designer who's constantly inspired by artists, I always look forward to every collection that he does. This time it was Jef Verheyen whose paintings are about catching the light in simple tone colors gradating from solid to just pure white. It reflected in his collection in how he treated a very beautiful japanese inspired print and just bleach it to create the color gradation that was just breathtaking. There's also a sense of freedom and lightness in the clothes, which is amazing considering some of the incredible beading involved in making these clothes.

9. Calvin Klein Collection
Since the 90s minimalism is back this season, it was only appropriate to look at the hero of the trend, and see what his successor can do with the inspiration. Francisco Costa certainly didn't disappoint. He has done minimalism before, but at times it felt robotic, and not soft and womanly. This time there's a different mood and feel about his minimalism, it's more soft and womanly. Perhaps it was his choice of fabric that changes, it wasn't stiff or stand away from the body, but more fluid and sort of fall on the body. Truly a nice and gentle way to evolve his style without loosing the core of Calvin Klein.

10. Yves Saint Laurent
Have you ever had a fantasy about the chic Parisian woman with her impeccable outfit and one heck of an attitude, this collection is exactly a reflection of that. It was the truest to the DNA of Yves Saint Laurent that Stefano Pilati has ever done, meaning that there's a sense of chicness and decadence that is so synonymous to the DNA of the brand, creating one of the strongest collection that Stefano has ever done for the brand. It is the true French fashion at it's best.

Images from style.com